Faculty |
Visiting Scholars
Faculty Who Teach Intermedia Arts |
Staff
Chris
Brown
Professor of Music
Luther B. Marchant Chair
Program Head
Co-Director, Center of Contemporary Music
Music 43, 510.430.2330, cbmus@mills.edu
Professional Interests: Composition and improvisation, interactive electronic music, musical instrument building and new instrumental resources, sound installations, algorithmic composition, twenty-first century performance practice, world music
James Fei
Assistant Professor of Electronic Arts
Music 33, 510.430.2329, jfei@mills.edu
Professional Interests: Composition, improvisation, sound installation,
live electronic music, recording, intermedia
Samara
Halperin
Visiting Assistant Professor, Art Studio
Art 116, 510.430.3289, shalperi@mills.edu
Professional Interests: Experimental film and video, cinematography, 16mm
animation, production design, writing, pop culture
Faculty Who Teach Intermedia Arts
David
Bernstein
Associate Professor
Music 1, 510.430.2025, davidb@mills.edu
Professional Interests: Theorist, musicologist, author, specialist in early
20th-century tonal theory and analysis, 12-tone theory, set theory, the
aesthetics of the avant-garde
Fred
Frith
Professor of Music
Department Head of Music
Music 3, 510.430.2142, frith@mills.edu
Professional Interests: Composition and songwriting; the performance of both composed and
improvised music; collaboration in the fields of theater, dance and film;
improvisational pedagogy
Anna
Valentina Murch
Professor of Studio Art
Art Room 116, 510.430.2182, annav@mills.edu
Professional Interests: Sculpture, installation, public art, ecological
design, collaborative projects
Maggi
Payne
Professor of Music
Co-Director, Center for Contemporary Music
Music 32, 510.430.2178, maggi@mills.edu
Professional Interests: Composer, performer, interdisciplinary artist,
recording engineer, music editor, creator of many works for electronic or
visual media
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Staff
Patrice Scanlon
Technical Director
Fine Arts Annex 102, 510.430.3197, pscanlon@mills.edu
Professional Interests: Computer and experimental music composition,
interdisciplinary and collaborative performances, motion-tracking and
interactive software
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