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Workshops Sculpture Basic Orientation Table Saw Intensive The table saw is perhaps the most versatile tool in any woodshop but is also one of the more dangerous and intimidating. In this workshop we will focus on the table saw, what it can do and what it can't, how to use it safely and what can go wrong. We will discuss jigs that make specific cuts more safe, easy and accurate, work with the dado set and go over more advanced operations (bevel cuts, rabbets, etc). Moldmaking In this two part workshop, students will make a two part rubber mold with a plaster mothermold, suitable for casting with a wide range of materials. In addition to making the mold, we will discuss other moldmaking techniques and considerations. Mold materials will be provided. Students are responsible for bringing in a suitable "image" or object from which to create their mold. Introduction to Plastics This workshop will serve as an introduction to a wide range of materials commonly known as plastics. We will discuss and experiment with a wide variety of materials including resins, casting products and sheet goods. Introduction to Spraybooth This workshop will cover the safe and proper use of the spray booth and the spray guns. We will cover techniques to get a good surface, problems to look for, waste protocol and how to clean the gun afterwards. All photography workshops will be held on Fridays, beginning at 1:00 pm and will run two to three hours, as necessary. Workshops will be conducted in either Rm 153 (Digital Lab), Rm 141 (Critique Room) or the Prieto Lab. Digital Lab Basic Orientation Photoshop is the de facto tool of the digital darkroom. In this workshop we will begin with the basics, first learning how to set up the working environment for efficiency and proper color management. We will focus on the histogram as one of the primary tools for understanding our images. We will also explore Photoshop's adjustment layers. Prerequisites: None. Estimated Length: 1 hrs. (plus 1 additional hr for questions or more in-depth study) Dates: 12, 19 September @ 5 pm Bridge and Adobe Camera RAW Shooting RAW affords a great deal of control and improved image quality not possible shooting jpg only. We will explore these many advantages and introduce the primary tool for dealing with RAW images: Adobe Camera Raw. Printing and the Digital Darkroom The digital darkroom gives us many new ways of working with images, both scanned film as well as digital photos. Using Photoshop and our HP Z3200 printer we will explore techniques and concepts for getting the most out of our digital files. Documenting Your Work It is extremely important that your art is displayed in the best possible manner. In many aspects of photography color and other aspects of the image are highly subjective. When attempting to convey your work to others (galleries, grant applications, etc.) The most accurate representation of your work is critical. In this workshop we will look at how to ensure that your digital reproductions of your work are as true to the originals as possible. Prerequisites: None. Estimated Length: 1 hrs. (plus 1 additional hr for questions or more in-depth study) Dates: TBD |
Program Information
Overview Faculty and Staff » Requirements Courses Full Course List Art Studio Course List Schedule of Courses for the Current Semester Activities & Resources P: 510.430.2117 E: studio_art@mills.edu |
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