Mills College celebrates Latina/o Heritage Month 2014
September is important for Latinas/os and Latin Americans, as Chile, Costa Rica, El Salvador, Guatemala, Honduras, Mexico, and Nicaragua all celebrate their independence during this month. In the US, Latino/Hispanic Heritage Month has for decades officially honored their histories, cultures and contributions. Here at Mills Latina Heritage Month has for years honored Chicanas and Latinas every September through a diverse, month-long series of cultural, social, and community events that particularly celebrate our indigenous, African, immigrant, and activist roots. Unless otherwise noted, all events are free and open to the public.
Kick Off for Latina/o Heritage Month!
Decolonizing Your Diet with Professors Luz Calvo and Catriona Rueda Esquibel
Luz Calvo received her PhD in the History of Consciousness Program at UC Santa Cruz in 2001. She is an associate professor of Ethnic Studies at Cal State East Bay, where she teaches a course entitled, “Decolonize Your Diet: Food Justice in Communities of Color.” Luz traces her food genealogy to her paternal grandparents, who ran a Mexican restaurant in San Fernando, California, from the 1940s through the 1970s. The Calvo business began when the grandparents began selling tacos to the cannery workers, with her grandfather purchasing fresh, seasonal ingredients from the LA Central market, and her grandmother preparing and packaging the tacos.
Catrióna Rueda Esquibel received her PhD in the History of Consciousness Program at UC Santa Cruz (1999). She is an associate professor in Race and Resistance Studies at San Francisco State University. She is the author of With her Machete in her Hand (U of Texas Press, 2006) and has also published poetry, drama, and literary criticism. Her father’s family has lived in northern New Mexico for more than twelve generations. On her mother’s side, her great-great-grandmother, great-grandmother, and grandmother all migrated from Sonora to Los Angeles between 1913 and 1919. Each of these women made a living cooking for Mexican migrant workers and Chicanos/as in Los Angeles. Catriona is interested in diet and diabetes because her father and many of his siblings were diagnosed with type 2 diabetes. In one generation, as they moved from New Mexico to Los Angeles, their diet went from grass fed beef, home-raised chickens, and home-grown vegetables and local herbs on the ranch to highly processed foods.
Bon Appetit and Latina Heritage Month Celebration Dinner
Our thanks to Bon Appetit for their preparation of this delicious menu!
Movie Night! "Born in East L.A."
“While many films spawn hit singles and rock videos, "Born in East L.A." was one of the few to come to the screen after both the song and video. After reading about the 1985 case of a 14-year-old American citizen who was snatched up by Immigration and Naturalization workers and sent south of the border, Cheech Marin wrote a song parodying Bruce Springsteen's "Born in the U.S.A." entitled "Born in East L.A." and made a video to accompany it. Universal then approached Marin with the idea of writing, directing, and starring in a picture budgeted at $5 million, an offer Marin readily accepted. Rudy Robles (Marin) is a third-generation Mexican-American who is mistakenly carted off with a bunch of "illegals" and sent back across the border. With no identification, Robles is unable to convince the authorities he is an American citizen, and he turns to ne'er-do-well American expatriat (Daniel Stern) for help in his plottings to get back home. While waiting for his chance to get north of the border, her falls for local girl Dolores (Kamala Lopez). This is a surprisingly heartfelt film from Marin, miles away from the mindless drug humor that infected his efforts with Tommy Chong. The film offers some genuinely tender moments as Marin uses Robles situation to explore the plight of Mexicans who long for a better life.” ~TV Guide
“Yo Soy”(I am…) Monologues
Come and enjoy monologues created by Mujeres Unidas’ members as well as Latino/a Faculty and Staff at Mills. These monologues are shared to demonstrate the unique and diverse identities of the Latino/a community at Mills College. You are welcome to share your identity by creating and reciting your own “Yo Soy” monologue(s).
¡BOMBA! ¡BOMBA! ¡BOMBA! ¡BOMBA!
Bomba is a music and dance genre with roots in West Africa that originated in the sugar cane plantations of Puerto Rico over 300 years ago. The central feature of Bomba is its improvisational “call and response” character. The dancer calls, with her or his moves, for specific accents and figures—“piquetes”—that the lead drummer has to execute on the drum. This occurs in the form of a dynamic conversation where dancers and drummers showcase their skills.
Join Master teachers Héctor Lugo and Shefali Shah for a “hands-on” workshop where we will learn bomba percussion, dance, and songs.
Héctor Lugo is a talented and experienced percussionist, singer, songwriter, and teacher. A native of Puerto Rico, Héctor has performed, recorded, and toured with renowned local and international artists in the Latin, Jazz, and Afro-Caribbean music communities, including, among others, Luis Cepeda and the Los Cepeda Folkloric Ensemble, Bobby Céspedes, Conjunto Céspedes, Luis Romero and Mazacote, John Santos and the Machete Ensemble, Pete ³El Conde² Rodriguez, Gilberto Gutierrez and Mono Blanco, the Larry Vukovich Latin Jazz Orchestra, the Venezuelan Music Project, and the Mission Project. He composed music for a theatre piece, Living in Spanish, that has been produced in San Francisco, New York, and Seoul. He has lectured on the history of Puerto Rican music and taught workshops on Latin percussion locally and internationally. Presently, he leads Son Borikua, a seven piece ensemble, dedicated to creating original music inspired in the Puerto Rican folklore. He is co-director of the Bomba and Plena Workshop at La Peña Cultural Center in Berkeley, and a percussion instructor with the Oakland Youth Chorus Music of Our World program.
Shefali Shah leads the dance workshops, teaching basic steps, techniques, and modeling piquetes, or improvised movements, which students interpret into their own unique way of expression. Beginners learn the basic steps of each musical form. As dancers progress, they begin to throw piquetes which the lead drummer must interpret and respond to. This conversation allows the movement to be come music, literally.
Shefali has been studying and dancing Bomba since 1999. She currently dances with Son Borikua and Cacique y Kongo. She has performed at "Maestros de Bomba en la Bahía" with members of the Cepeda family and at the San Francisco Ethnic Dance Festival with Grupo Folclórico Paulé. Shefali also trains in Odissi, a classical Indian dance form from the state of Orissa, India, with Bay Area Master Guru Sri Vishnu Tattva Das. She performs with the Bay Area group Odissi Vilas.
“Bailando en el Barrio” Latina Heritage Month Dance
Dinner Honoring Latina Staff and Faculty
Ethnic Studies Fund
Faculty and Staff
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