Current Exhibition

NOTE: We will be closed on Saturday, July 4. Regular hours will resume on Sunday, July 5.

Reverberations:
Japanese Prints of the 1923 Kanto Earthquake
Opening Reception: June 17, 5:30−7:30pm

Curated by Deborah Stein and the Museum Studies

The Mills College Art Museum is pleased to present Reverberations: Japanese Prints of the 1923 Kanto Earthquake curated by Deborah Stein and the Mills College Museum Studies Workshop, on view from June 17 through August 2, 2009. A public reception will be held on June 17 from 5:30-7:30 pm with a walk-through with the curator at 6:00 pm. A family printmaking workshop will take place on Sunday, June 28 from 3:00-5:00 pm with a film screening of Hiroshi Teshigahara's Woman in the Dunes on Wednesday, July 22 at 7:00 pm.

According to Stein, "Reverberations is a collective effort to examine how art and natural disaster intersect in complex ways. Over the course of nine months, I worked with a team of dedicated students to research an unknown and unpublished set of prints in which we discovered a powerful response to a horrendous catastrophe."

The Japanese woodblock prints featured in Reverberations were created in response to the great Kanto earthquake that took place on September 1,1923, devastating many cities in the Kanto region of Japan, including Tokyo, Yokohama, and Chiba. Immense fires aided by strong winds engulfed the cities and destroyed lives, homes, and businesses in a matter of days. After the earthquake and its aftershocks had abated and the fires were quelled, the surviving citizens had to rebuild their lives in the wake of their ruined cities.

The Kanto earthquake was a significant part of the history of woodblock prints in Japan, as many print shops, including the famous Watanabe print shop, lost their respective equipment and blocks from the quake and fire. Like the rest of the citizens, artists and publishers had to begin anew. In the years following the earthquake, artists created works to document the disaster, as well as the rebuilding of their cities.

The prints featured in this exhibition were commissioned as a set to be executed by a number of different artists. These works convey multiple levels of emotion and a visceral intensity. As an historical and art historical reference to life and art in modern Japan, the works exemplify a wide variety of print styles and practices during the Taisho Era. This visual response to a natural disaster constitutes a record of despair and renewal specific to this period; yet, it is strikingly familiar record of human suffering and survival that resonates with the Bay Area's own experience with destruction wrought by earthquakes. Reverberations offers insight into tragedy and loss, making available experience of disaster in a way that scientific data and photographs alone simply cannot.

The Museum Studies Workshop is a course that is taught in the Art History Program at Mills College, encompassing both the theoretical and practical study of museums in historical and contemporary contexts. This year, the Museum Studies Workshop has been taught by Visiting Assistant Professor Deborah Stein, who worked with seven Mills College students to create the present exhibition.

Digital Catalogue and Exhibition Overview

Public Programs

Sunday, June 28, 3:00−5:00pm

Family Printmaking Workshop

Please join us for an educational workshop geared towards all ages presented in conjunction with our summer exhibition, Reverberations: Japanese Prints of the 1923 Kanto Earthquake. The afternoon will begin in Danforth Lecture Hall, Art Building with a PowerPoint presentation on traditional Japanese printmaking followed by an interactive team-taught course with Art Museum staff to learn how to create prints using everyday materials.

Docent-led tours of the exhibition are offered to groups and must be arranged one week in advance. Tours are approximately 30 minutes long. Please call 510.430.2164 or email museum@mills.edu for reservations.

Admission is free to all exhibitions and programs.

Above Image: Sengai. Disaster in Karyu-Gai (at Yanagi Bridge). Japanese, c.1923. Woodblock print. Collection of the Mills College Art Museum.

Below Image: Sengai. Shelter Behind Asakusa Kan-non Temple. Japanese, c. 1923. Woodblock print. Collection of the Mills College Art Museum.