Professional Interests: John Cage, Pauline Oliveros, American Experimentalism, avant-garde music and aesthetics, Arnold Schoenberg's tonal theories, post-tonal theory and analysis, 20th-century music literature, the history of late 19th- and early 20th-century harmonic theory
Professional Interests: Composition and improvisation, interactive electronic music, musical instrument building and new instrumental resources, sound installations, algorithmic composition, 21st-century performance practice, world music
Professional Interests: Composition, improvisation, sound installation, live electronic music, recording, intermedia
Professional Interests: Nineteenth- and 20th-century Western classical music and opera; solo and chamber piano performance; ethnomusicology (particularly North Indian vocal music and Welsh folk music); cultural studies; post-colonial perspectives on musical orientalism, nationalism, and cross-cultural musical exchange
Professional Interests: Composition; improvisation; sound installations; recording; sound processing; inventing new harps; performances of music: acoustic/electric, analog/digital, composed/improvised; writing scores for film, theater and dance with a particularly strong commitment to collaborative work with choreographers and visual artists
Professional Interests: Deep Listening; contemplative practices in the arts and higher education; pedagogies and practices of improvisation, musicianship, and music theory
Concert Coordinator
Technical Director
Departmental Administrator